Netflix shows have a certain look. I can guarantee I'm not the only one who's noticed—but if you haven't, hear me out. There's a striking sameness to the streaming service's offerings, making everything from Wednesday to Cobra Kai look like a Hallmark Christmas movie produced by The CW. Is it an intentional branding statement by Netflix? I'm not sure. And yet, with each and every debilitating binge, I find myself learning more about Netflix's bizarre visual language. |
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Francis Kurkdjian explains the inspiration and technology behind the water-based Sauvage Eau Forte—and why you have to look back to move forward. |
| These pocket-friendly styles hold all you need. |
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The outsiders are now insiders; once considered fringe subcultures, these working-class, story-driven genres now run the show. So it's no longer much of a shock to hear that Post Malone's new album, F-1 Trillion, is a full-on country project. Though he's one of the biggest rappers in the world by any measure, Postie has always been enthusiastically genre-fluid—sampling Fleetwood Mac, shouting out AC/DC and Jim Morrison, taking a more overtly pop lane on mega-smashes like "Circles" and "Sunflower." But it's still impressive how committed he is to this detour into Nashville, and how consistently effective the music turns out to be. |
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The 21-year-old musician fills us in on his (accelerated) style journey. |
| "Alexa, play Club Classics." |
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Republican vice-presidential candidate J. Divan Vance continues to amaze and astound. He has less than 100 days now to alienate every subgroup of his fellow citizens before the presidential election. Now, it seems, he's after the descendants of every European immigrant group of the past two centuries—German-Americans, Irish-Americans, Italian-Americans. This might have flown if he were the running mate of Millard Fillmore. But now, it only demonstrates that we ought not to trust history to those people who mistake it for a tackhammer. Earlier this week, Vance clumsily tried to link his ticket's obsessive panic over migrant criminality to the historic violence visited on previous waves of immigration, and the violence practiced by immigrants in return. Vance seems to be intimating that those particular groups have not yet assimilated to his liking. |
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