Hello! With The Last of Us done and dusted, I took an early look at the entertainment landscape for the rest of the year. Here's what surprised me: The stakes of the next half year or so in Hollywood are pretty damn high. So I won't keep you waiting. These are my biggest questions for TV and film heading in the second half of 2025.
1. Have we already seen the best show of the year?
TV was in a bit of a rough place after the one-two punch of the Covid-19 pandemic and the SAG-AFTRA strike, which both severely delayed production in Hollywood. Three years passed between Severance season 1 and 2. The same goes for Stranger Things, Squid Game, Andor, Wednesday, and more. 2025 feels like the year that all the biggest shows are finally returning to the small screen. So, now that we have the full slate before us, how are we feeling about this year's slate?
Well, as we head into the second half of 2025 (already?!), Esquire's entertainment team is honestly shocked by how much good TV we've already watched this year: The Pitt, Severance, Andor, The White Lotus, The Studio, The Last of Us, Adolescence. TV has been so great, actually, that it has me wondering if anything else coming out this year can even compete.
2. Has bundling gone too far?
Streaming was supposed to provide customers with a welcome alternative to traditional cable television. Now, it's no secret that a whole bunch of folks are paying more for TV than ever before.
To supposedly ease the repeated blows to our wallets, today, bundling services—like the Disney/Hulu/HBO package—have become the new normal. Next up? ESPN plans to include all of its cable network channels into a new ESPN app—which is set for its own bundle with Disney and Hulu. Could we see a single bundle for every major streaming service within the next two years? How many years away are we from the next great Netflix disruptor?
3. Will The Bear season 4 live up to the hype?
Speaking of quality TV, The Bear returns for season 4 on June 25. The new batch of episodes will follow the "To Be Continued…" cliff-hanger that ended the previous season, with Carmy (Jeremy Allen White) awaiting the first reviews for his new restaurant.
The Bear season 4 is a make-or-break moment for the culinary drama, as the critically acclaimed show hopes for even more positive reviews of its own. Season 3 received a bit of a mixed reaction from viewers who were enamored with the highs of season 2, but season 4 has the potential to finally give Carmy and co. some much-needed resolution. If The Bear seeks to enter the G.O.A.T. debate, this is its chance.
4. Will we see one more Taylor Sheridan series by the end of 2025?
Paramount+ is having a moment. According to Nielsen, the Paramount Network and its affiliated channels account for a third of all total TV usage, right behind YouTube and the Walt Disney Company. CBS programming such as NCIS, Survivor, and The Late Show with Stephen Colbert account for a decent amount of viewership, but creator/writer Taylor Sheridan has been a golden goose for Paramount's streaming service ever since Yellowstone.
Alongside Yellowstone, Sheridan also helms Landman, Mayor of Kingstown, Tulsa King, and Lioness. But now that Yellowstone is set to expand into several spin-offs, Sheridan—and Paramount—have a real opportunity to turn one of the most popular franchises on TV today into one of the most popular TV franchises of all time. The network hasn't handled delivering fans the roadmap ahead particularly well, but Paramount is reportedly planning four spin-offs that will roll out within the next year.
5. What will 2025's summer movie blockbuster season tell us about the future of the film industry?
Ever since "Barbenheimer," Hollywood has tried to eventize every new release to consistently fill movie theaters. "Glicked," a.k.a. the same-day release of Wicked and Gladiator II, was the most obvious attempt last year—even though Wicked made sure that it wasn't much of a competition at all. (I saw someone watch Gladiator II on an airplane this past weekend, if that tells you how much of a must-see-in-the-theater event it was for some audiences.)
What moviegoers really want is to see a good film. Mission: Impossible - The Final Reckoning and Lilo & Stitch are currently dominating at the box office, but there's still many contenders ahead, including Jurassic World Rebirth, Superman, F1, How to Train Your Dragon, M3GAN 2.0, Eddington, and Fantastic Four: First Steps. Are any of these films the spark plug that the theater industry desperately needs this summer?
What's your biggest question about the state of TV and film in 2025? Ask me at josh.rosenberg@hearst.com, and I'll respond right here in The Cliff-Hanger next week.
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