For all that TV has saturated pop culture, most prestige dramas are kind of boring. But art moves in cycles, and after several years of leaden shows about men contemplating their place in the world, the industry is overdue for a return to the sort of zaniness and disregard for specific plot details that once dominated many dramas and now, in an airless way, primarily characterizes visionless network procedurals. In a perfect world, we would have the breeziness of classic, pre-
Mr. Robot USA, but with the filmmaking acumen of a reasonably competent FX or Showtime drama. Thank God, then, for
The Young Pope.
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