We have entered the "police are searching for a motive" stage of the cycle. That usually arrives the morning after. There was another American mass murder on Monday, this time at an elementary school in Nashville, and because this is one of those spasms of American bloodletting that we've decided we care about, we'll spend a day or two having a pantomime debate about what to do in response while examining, with varying levels of interest, the background of the shooter. In this case, the identity of the murderer did appear to break the usual mold, and it will get plenty of attention. But there is no "motive" for killing nine-year-old children, not if "motive" means "a reason for doing something." There is no "reason," no explanation or justification grounded in any kind of logic, to shoot kids in math class with high-velocity bullets from an AR-15 that will destroy their bodies for life even if they survive. We are searching for order, for some cause-and-effect, where there is none. |
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Daniel Knowles, the author of 'Carmageddon', makes the case for ending our dependence on cars. |
| It doesn't need to take too much cash to look expensive. |
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Kieran Culkin sounds like he's on mile twelve of a marathon, but he's been running for only two minutes. We're sprinting toward a ferry dock on the Manhattan side of the East River. As the boat we're trying to catch pulls into view, he pushes faster still. We board the boat. I follow him through the main cabin, out to the rear deck, up a flight of metal stairs, and over to a pair of seats that look off the port side, toward Manhattan. Six months ago, "I turned forty and everything changed," he says, now recovered. "Get a little paper cut on my finger; nine days later, why do I still have a paper cut? It's just fucking slow now." But also, he hasn't exercised regularly, or maybe at all, in five years, since before the premiere of Succession, HBO's black dramedy about the excessively rich and comically power-thirsty Roy family, owners of a fictional global media behemoth. Culkin plays Roman, who's potentially the heir to his father, Logan, as head of the empire. But on a deeper, or at least more emotionally resonant level, it's a story about family and the struggle to live up to your own legacy. Culkin, of course, knows firsthand what it's like to grow up in a family under public scrutiny. |
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The return of the HBO series comes with some major fashion finds. |
| Including scores from Lululemon's 'We Made Too Much' section. |
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We've been building up to this moment for years. We've seen it percolating on fashion runways and bubbling up in the cooler corners of fashion capitals around the world. We've watched it infiltrate red carpets and social media feeds. And now we can say, without skirting around it at all (ha!), that skirts for men are officially ready to enter the mainstream. Let's be clear: This isn't to say that skirts for men are new in any capacity. Men have been wearing them for centuries, all the way back to the days of tartan kilts—and well before that, too. Even in modern men's fashion, designers have been pushing long, pleated, kilt-like designs for decades. Names like Raf Simons, Jean Paul Gaultier, and Rick Owens have sent male models in skirts down runways since the '90s. And in 2007, Thom Browne, who is now all but synonymous with "skirts for men," sent his first male model in a skirt down the runway. |
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