Barbour has been on a string of great collaborations for some time now. The 132-year old brand has been handing the design keys over to others to keep it fresh in the consciousness. Some of its most consistent collaborators have been Brendon Babenzien's brands. The designer has done a handful with his own label, Noah, and he's regularly worked with Barbour while at the helm of J.Crew's menswear. Since Babenzien left J.Crew last month, I imagine this will be one of the last big releases where you can see his handiwork: A new J.Crew-exclusive, navy-and-black Barbour barn jacket. And if I were a betting man, I'd tell you this is looking like a prime candidate for Spring 2026's best jacket. Buy now before everyone else is hip to it. — Luke Guillory, commerce editor |
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Two titans of menswear collaborate on an exclusive colorway. |
There's not much that hasn't been said about Brendon Babenzien's J.Crew tenure. It gave us a reinvigorated J.Crew. It gave us the catalog back. It gave the menswear world generative AI discourse. Now, as Babenzien leaves the brand to focus back on Noah, his own brand, it appears this is his parting gift to the world of J.Crew. The J.Crew Barbour barn jacket has been around for a minute, but the pair just released an exclusive to J.Crew color combination. The waxed cotton is navy, and the corduroy collar is black. It's a city-ready take on Barbour's country look. I am, admittedly, smitten. |
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I don't want to unnerve the good people of South Carolina, but your senior senator has gone so far round the bend that he's probably in Missouri by now. This weekend, Senator Lindsey Graham made the Gobshite Rounds on the teevee, and he sounded like the most bellicose legislator this side of the Klingon High Council. Graham was the subject of one of the first successful soul-ectomies performed by the current president way back in 2016, and he continues to be the index patient for the procedure. |
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If the cinematic landscape had been slowly shifting over the past couple decades, the activity was downright seismic this year. Paramount is on the cusp of swallowing Warner Bros., further consolidating power in an industry that's already an oligopoly. Meanwhile, the powers that be are giddy at how they can use AI to conjure fake actors and make real ones punch each other. And yet, there is plenty to celebrate. A bunch of great films and film achievements are up for awards, the 2026 slate is already off to a strong start, and over the course of the past year, some bold originals managed to turn back the clocks and be bona fide discourse-dominating, profit-making hits. We took a shot at summing up how they did it, interviewing difference makers both inside and at the periphery of the industry. First up, Sev Ohanian. Ohanian went to USC film school with Ryan Coogler and wound up being a producer on Coogler's debut, Fruitvale Station. He's also produced Searching (which he also cowrote), Judas and the Black Messiah, Creed III, and, this past year, Sinners. He talks about reading Coogler's script for the first time, what made the film a massive success, and why, to make a good movie, you need exactly three good scenes—and no bad ones. |
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