Monday, October 22, 2018

Dennis Hopper’s Mad Vision

 
 
The actor-director's follow-up to Easy Rider was going to change Hollywood. That is, if he could get the damn thing made.
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Dennis Hopper's Mad Vision
 
Henry Fonda wasn't holding back. Not even a little.

It was October 1970, and the 65-year old Hollywood legend had recently watched his son Peter on The David Frost Show.

Peter wasn't the problem. Fonda's son had come out, shaken Frost's hand, and taken his seat—like a goddamn normal person. No, the thing raising Fonda's blood pressure was what happened next, when Peter's friend, Dennis Hopper came on stage.

"Dennis came out floating," Fonda later told a New York Times reporter. He demonstrated what he meant by flouncing about the living room of his Manhattan apartment with arms spread wide and head tossed backwards.

"And every time Frost asked him a question, he began giggling… Dennis is stoned out of his mind. He'd have to be to act that way."

"Put that in your story," Fonda told the reporter. 'This is not off the record. Dennis Hopper is an idiot. Spell that name right D-e-n-n-i-s H-o-p-p-e-r!"

Reached at his home in Taos, New Mexico, Hopper laughed when told about Fonda's rant. "Henry Fonda said I was an idiot?" Hopper said. "Well, I guess it goes to show you what the establishment view of me is."

Hopper could afford to be amused. After years of being regarded by much of the old guard as an ill-mannered, drug-addled lunatic, he was now possibly the hottest filmmaker in Hollywood. Easy Rider, which Hopper had made for less than half a million dollars, was the surprise smash of 1969, grossing $60 million and seemingly striking a death blow to the studio system that nourished the elder Fonda.

Hopper's overnight transformation from unemployable fuckup to Wellesian genius was made exponentially more aggravating when Universal gave him total control over his next picture, on which he was currently in post-production: The Last Movie, which Hopper wrote, directed, starred in, and edited. He declared it "the first American art film."

Hopper was keenly aware that the project would determine the course of his future, as he told the endless stream of reporters who visited him on the film's set. "The Last Movie is the big one," he told one writer. "If I foul up now, they'll say Easy Rider was a fluke. But, I've got to take chances to do what I want."

And, true to his word, that's exactly what he did.

Read on.
 
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